Playing the oboe isn’t easy. Reedmaking isn’t always easy either. So how do you stay focused and know if you are really making progress, or just spinning your wheels? It’s funny, because this is something I always notice in hindsight. Usually at the time in question, I either feel incredibly overworked or just plain discouraged. [...]
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Turning Oboe Lemons into Lemonade
by Maryn on May 31, 2011
Improving Your Tone on the Oboe
by Maryn on May 22, 2011
Running an oboe reed business and all, I often get requests or inquiries about reeds and the desired tone they’ll produce. And while I agree that reeds play an important part in determining your sound on a given day, I am old-fashioned and in favor of hard work to get the tone you want!! I’ll [...]
Read MorePlaying the Oboe: When Technique Doesn’t Matter
by Maryn on May 21, 2011
When I was a student at Juilliard Pre-College, I was probably at the peak of my early learning about music and the oboe. I remember feeling continually challenged, and I could practice for hours on end. My teacher was especially demanding, and I learned all kinds of things about the oboe, especially about oboe technique. [...]
Read MoreNeed a New Oboe Piece?
by Maryn on May 17, 2011
Question I’m a student and I will have my exam recital this May. The program has to contain a modern/contemporary piece (my teacher claims Poulenc and Britten do not fall into that category, they are too old). So, I’m out of ideas! I would like to find an interesting/cool/beautiful piece and not strange just for [...]
Read MoreWhich Are You Playing? The Oboe or the Music?
by Maryn on March 23, 2009
Play the music, not the instrument. – Author Unknown Boy how true… especially for us oboe players who spend so much time trying to get along with such a finicky instrument. How often have you spent more time trying to play the oboe than you have trying to play the music through the oboe? I [...]
Read MoreFear and the Oboe
by Maryn on August 3, 2008
“Fear has a smell, as love does.” -Margaret Atwood- I think the appropriate adaptation of this quote for oboists is “fear has a sound.” It does not matter how much you practice or how good or bad you think your reed is. Fear is obvious, and it is a sound that has no place in [...]
Read MoreFrom the Oboe Notebook: Richard Woodhams Masterclass 4/13/95
by Maryn on February 10, 2008
Here’s a page from my Oboe Notebook (one of them) back from a Masterclass I took with Richard Woodhams. It’s funny to look back at old things like this. It makes you realize how far you’ve come… and gives you the encouragement you need to go even farther. Take a look at the page, it’s [...]
Read MoreEnglish horn, the Nutcracker and sore arms
by Maryn on December 23, 2006
We were driving to my grandmother’s house today for a holiday get-together when I chanced upon some production of the Nutcracker playing on the radio. One of the amazing things about music is how certain pieces can bring back a flood of memories in an instant. The first thing I thought about when I heard [...]
Read MoreYou have to love it more than anything else. Really?
by Maryn on December 18, 2006
Have you ever read an article where some famous music teacher says words like these to the young, unsuspecting music student: “You should only choose a career in music if you love it more than anything else.” Or maybe something like this: “A career in music isn’t easy, so if you have anything else you [...]
Read MoreLife Lessons from a Cellist
by Maryn on December 14, 2006
Not sure what it is about commencement speeches this week, but I keep attracting them. I was cleaning out one of my oboe closets yesterday and came across a copy of a commencement address delivered by the famous cellist, Lynn Harrell, to the graduating class of the Cleveland Institute of Music in 1994. Rather than [...]
Read MoreMemories of John Mack
by Maryn on December 8, 2006
I just got done reading through the recent issue of The Double Reed and found all of the letters remembering the life of John Mack. I thought I would add mine to the mix… I went to the John Mack Oboe Camp one year and I came away with a tip that has affected my [...]
Read MoreThe pulse and sightreading…
by Maryn on November 30, 2006
We’ve just put the finishing touches on our new book, “Play It Right the First Time: The Oboist’s Guide to Becoming a Master Sightreader in Just 10 Minutes a Day.” In the book, I talk a lot about rhythm and pulse, and how very important that is to being a great sightreader. When it really [...]
Read MoreTombeau de neckstraps
by Maryn on November 21, 2005
I had the pleasure of playing Tombeau for the first time a couple weeks ago. I played second oboe/English horn and it was a really fun part, though there are some really quick switches. Due to some past wrist problems, I play both oboe and English horn with a neckstrap now, and fast switches always [...]
Read MoreEffinger Stuff
by Maryn on November 11, 2005
In the freelancing world, there is often a lot of the same work; pick-up orchestras for the Messiah, or maybe church wedding gigs. So, I always get a little excited when something comes along that is really different, and more importantly, really fun to do. Not that long ago, I got the chance to play [...]
Read MoreListening is a good thing
by Maryn on October 13, 2005
Listening to other oboists play is a great way to stay in the “loop,” get new ideas, and inspire your thoughts on a piece of music. I just got 2 new CDs of incredible oboe and English horn playing: Julie Giacobassi (with guest artists Rodger Weismeyer and Eugene Isatov) Eugene Isatov in solo New CDs [...]
Read MoreIMEA coming up
by Maryn on October 9, 2005
Growing up in NY state, we had NYSMA solo contests, which featured graded solos of our choice. But here in IL, they’re called IMEA contests, and instead of featuring solos, they require a slow and fast Ferling study (no choice of which ones, they are assigned each year). I’ve prepared lots of students on these [...]
Read MoreExpect the unexpected… always.
by Maryn on August 15, 2005
Playing two programs a week with Grant Park has had me thinking about how I prepare for a first rehearsal. With only 2-3 rehearsals on a program before a concert, it’s imperative that every musician knows their part (and hopefully the piece) cold for the first rehearsal, so that rehearsal time can be devoted to [...]
Read MoreCongrats to Anne!!
by Maryn on July 20, 2005
It’s not often that we toot our own horns, but someone once said, “If you don’t toot your own horn, there is no music.” At any rate, in this case, I think it is more than warranted. Please help us congratulate Anne Bach (co-owner of MKL Reeds) on winning the second oboe job in the [...]
Read MoreReally good reeds…
by Maryn on July 11, 2005
After you’ve been playing the oboe for a while, you develop your own system for organizing your reeds. If I am preparing for a recital or some other solo, it is not unusual for me to put away those “really good reeds” as I make them so that I have a collection for the big [...]
Read MoreTaking a break…
by Maryn on July 7, 2005
Playing the oboe is not easy. I think back to when I started and I marvel at how much practice and dedication it takes just to get a nice sound out of that little piece of wood. That said, I am always surprised at what good can come from taking a break from the oboe [...]
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How do you know if you'll like an oboe reed before you play it? You can't. When the rubber finally hits the road, it hardly matters if the reed is a great one, perfectly customized to your every desire, if it just plain doesn't work well for you.
My name is Maryn Leister. I am a graduate of the Juilliard Pre-College Division and the Eastman School of Music, where I was a student of Richard Killmer. After graduating from college, I lived in Nashville, TN, then headed to Knoxville, TN, New York City, and finally Chicago...