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Most of you know that, a few weeks ago, my family made a change and moved from the big city of Chicago to the little town of Batesville Indiana.

The city of Chicago is beautiful, and Batesville is even more beautiful, in a different way.

Right now, as the leaves are changing and the air is turning crisp, it is hard to ignore all of the inspiring things that are staring right me.

The next time you are feeling “uninspired” with your music, just take a moment and focus on some part of nature. Something that “just works.” Something that is perfect just the way it is.

Let nature inspire your music so your music can inspire others.

Here are just a few examples of the inspiration I found just down the street from my home this past weekend:





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Not gonna be a reedmaker?

Published on 06 October 2006 by Maryn in Flarp, Miscellaneous, Reeds

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If you aren’t planning to learn reedmaking now or anytime in the near future, the best thing you can do is learn how to scrape the reeds that you do buy.

To do that, you’ve got to know the parts of a reed.

Here’s a very simple diagram that will make it clear if you are just starting out.

Get the Oboe Reed Diagram

Feel free to pass it on to anyone that can use it :)

For the advanced players, just having a simple chart like this where you can put a big red X over the areas you need to keep your knife away from can be a good reminder.

I’ve solved many a reed problem by just remembering the basics.

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Each month, we pick one new Reed Report subscriber to win 2 free oboe reeds of their choice.

September’s winner is Anne Sandham!

Congratulations Anne! You’ve got 2 free oboe reeds coming your way, with our compliments.

Welcome to the Reed Report!

If you haven’t signed up for your free subscription to the Reed Report, you can do it by clicking the link below:

Sign Me Up!

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Did I Confuse You?

Published on 21 September 2006 by Maryn in Flarp, Miscellaneous

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The dust is finally settling from the big launch of the Reedmaker’s Network.

And as the haze begins to clear, I realize that I may have hopelessly confused you all.

Let me apologize…

In all of my excitement, I’m afraid I didn’t make things as clear as they should be. And I can’t really expect you to make a good decision about whether or not the Reedmakers Network is right for you IF things aren’t crystal clear.

So here goes…

I’ve gotten a lot of questions about the Reedmakers Network. And I know that if one person has a question, there are probably a hundred others who have the same question.

So let’s jump in:

1. What EXACTLY is the Reedmakers Network? What’s the point?

The goal of the Reedmakers Network is this:

To help you remove reeds as an obstacle to you becoming the best oboe player you can and want to be… no matter what level you are at today.

So that can mean a lot of things, but in a nutshell, it means that I want to help you improve your reedmaking/reed adjusting skills.

If you have never made reeds, then learning how will be the goal for you.

If you already have beginning skills, but want to get A LOT better, that will be the goal for you.

If you never want to make reeds, then giving you the basic skills you need to tweak the reeds you buy will be the goal for you.

And if you are already a pro, then the goal will be to help you make better reeds, more consistently… and to give you help and support when things don’t go so smoothly.

2. What EXACTLY is included when I sign up?

Here’s where I realize that I REALLY wasn’t clear. Reedmaking is a very individualized art. To make progress, you NEED personal attention. So it is hard to tell you exactly how things will work, because it will depend on exactly where you are starting.

But let me try anyway…

There are really two parts to the Reedmakers Network: the reedmaking help and the supplies/books that you will need.

Now the whole thing begins with you filling out a detailed survey about your oboe goals and your current skills.

You get that soon after you sign-up.

That’s so I can personalize the program for YOU, to give you the most bang for your buck.

The reedmaking help (which is suited to your current level of skill) is delivered via online videos, telephone calls and through the mail via reed critiques… plus there is a forum for everyone to get together and learn from each other.

The supplies and books are yours to purchase separately, but your membership will qualify you for big discounts on all of them… including the reed tools you might need to get started.

3. What happens if I don’t sign-up but I STILL want to buy your reeds?

To be quite frank, absolutely nothing… I will still provide you with the absolute best oboe reeds I can, whether or not you become a member of the Reedmakers Network.

Now, if there are ANY questions that you still have, that I STILL haven’t answered, let me apologize… (again)

I am still excited about all of this for you.

Please just let me know what questions you have and I will answer each and every one.

Just send your questions to info@mklreeds.com.

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Today is the big day!

Published on 12 September 2006 by Maryn in Flarp, Miscellaneous

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The BIG day is finally here… and we’ve got an exciting announcement to make at MKL Reeds.

Get the details now!

http://www.mklreeds.com/reedmaking.htm

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What is good practicing?

Published on 12 September 2006 by Maryn in Flarp

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What is my number one piece of advice is for an oboist who is really interested in making more progress in less time?

Practice.”

But over the years, I’ve realized that the word practice can mean a lot of different things, depending on who exactly you are talking to. There is good practicing and there is bad practicing. By bad practicing, I mean the kind where you put in the time, but you don’t really get anywhere.

So by just saying “practice,” I was really giving them only half of the answer.

Let me explain…

Have you ever had one of those practice sessions where everything just seems to go “right?”

You have good reeds, are excited to play and come out at the end feeling like you really accomplished something?

There is no better feeling than that.

I don’t believe practice sessions like that need to happen once in a blue moon. And I don’t even think it is luck that they do happen.

I really believe that super productive practice sessions are the product of only two things:

1. Setting Goals
2. Having a Plan

And you can do both each and every time you sit down to practice the oboe.

By setting concrete goals and creating a plan to reach them, you will learn more in less time and have a lot more fun along the way.

My practice guide, “Does Practice Make Perfect” walks you through every step for getting the most out of your practice. And if you follow the path it outlines, you will get more done in less time, with less frustration. I know it works because I’ve been testing and tweaking it for the past 10 years.

You can pick up a copy at the link below:

http://mklreeds.com/practice.htm

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We’re only about 18 days away from our big announcement at MKL Reeds.

If you are reading this blog and haven’t signed up for our newsletter, The Reed Report, you are going to miss out.

Before you play another note on your oboe, go and get your free subscription. You’ll get some free gifts and goodies, and it will only take a minute.

You can signup here:

Sign-Up For The Reed Report

If you already get The Reed Report but you haven’t updated your contact info yet, then you need to visit the address below and take care of that.

The reason for the update is that I want to make sure you get the right information sent to you on the day we make the big announcement…

The directions are simple:

1. Visit the web address below and fill out the short form.
2. Hit the “Put Me On The List!” button and you’re done.

By filling out the form, you’ll guarantee your spot on our VIP Announcement List when the big day (September 12) rolls around.

Everyone NOT on the list will have to wait for a bit.

Here is the link:

Update My Information

It should take you less than a minute to complete.

Whew… housekeeping tires me out!

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Sure looks quiet.

So most of you know that we just got done unpacking the UHaul truck after our move from Chicago.

Everything went pretty smoothly: the oboe made it, the gougers, even the reeds got here without a crack.

The only problem was our poor UHaul truck. We lost a belt somewhere around Indianapolis which made things like steering and braking a bit difficult. Luckily, no one was hurt.

Here is a picture of our new street. Not much is happening as you can see.

It’s perfect.

The extreme quiet got me to thinking, “What exactly does an oboe sound like in Batesville?”

So I tested it out and you know what? It sounds beautiful.

There is something about playing completely free of distractions and outside noise.

There is nothing to hear but the music and your thoughts.

It is the best therapy money can buy.

Find a quiet corner in your world and see what new things you can hear.

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Buying Oboe Reeds…

Published on 13 July 2006 by Maryn in Flarp, Miscellaneous, Reeds

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It’s probably no surprise that we get a lot of questions from present, past and future customers about oboe reeds.

That’s my business of course.

We get questions like:

“Do I need a soft reed or a hard reed?”
“How should I know what reeds to order?”
“What do I do with oboe reeds if I order them and don’t like them?”

The list goes on and on… These are important questions.

I don’t mind answering them, because it is a great feeling to point someone in the right direction – to explain to them why they are so frustrated with their reeds and how they can move into a better situation.

But I am only one person and I can only talk to one person at a time.

And so I put together a short manual that takes you through the process if you are new to buying and caring for oboe reeds. It’s thorough, but simple and straightforward at the same time.

You can get all of the details here.

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Shaper Tip Trials

Published on 04 December 2005 by Maryn in Flarp, Reeds

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I always love trying different shaper tips–not only do they offer me different options and “feels”, but they can feel different on different gouges, so I often revisit unused shaper tips when I redo my gouge.

Having recently gotten both of my gouges worked on, I went back through my shaper tip collection to see how things felt, and I’ve decided that my Ruth shaper tip makes absolutely fabulous reeds….that I can’t play.

For my mouth and playing, the Ruth always feels too big and too wide for really focused playing. I love the sound of the reeds it makes–they have a depth and complexity to them that’s really appealing. But for me, they just don’t feel perfectly comfortable.

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